This is one of those movies I watched only because it was nominated for many awards (and won a few).Babel refers to the Bible’s Tower of Babel concept, where communication across cultures, generations and family is a problem. What stuck out for me was not the miscommunication between everyone involved in the movie, but rather the difference between American and other civilizations. Example 1: When Richard and Susan stop for a break, Susan asks for a Diet Coke, brings out her knife and fork and throws away the ice because ‘you don’t know what was in the water’. Example 2: Mike and Debbie’s reaction to the chicken decapitation (true, I was also nauseous from that scene onwards but I think hormones played a part too). Example 3: At the end the newsreader says ‘happy Americans can stop wringing their hands’ because Susan is fine and back in civilization.
Superior or patronizing? The writer and director are not American so I am not sure if they really believe the American Dream is the only dream, or if they just wanted to contrast American culture with the rest of the world.
I love the non-linearly path the movie takes. What happened in the beginning is repeated in the end, but from a different perspective. Just when you think the story is concluding the credits roll up. End of movie? Yes. End of story? Not really. The American tale is complete but there are so many questions and loose ends in the lives of the other characters. Example 1: What did Chieko write in the final note to Mamiya? If it is not important why is it in the movie? Who is telling the truth about the death of the mother, Chieko or her father, Yasujiro? Example 2: What happened to Santiago after he drops off Amelia and the kids? Example 3: What happens to Yussef after he surrenders? Does Ahmed live or die?
It’s a good movie if you try and put it in the ‘Art’ category. But like everything else, it leaves you hanging. You ask not about the reasons behind the movie, but instead wonder ‘and then?’
